India’s relationship with fragrance is ancient, intimate, and profoundly sophisticated. Long before perfume became a global industry, long before it was bottled, branded, advertised, and sold in department stores, fragrance in India was understood as a lived technology-deeply embedded in medicine, ritual, daily grooming, aesthetics, seasonal rhythms, and even spiritual practice.

Scent was never merely an accessory or ornament; it was a presence, carefully woven into how people related to their own bodies, their immediate surroundings, the natural environment, and the sacred.

Aromatic substances played essential roles in Ayurvedic healing systems, temple worship, royal court culture, seasonal festivals, wedding ceremonies, mourning rites, and personal hygiene routines. This reflects a civilization that recognised fragrance not just as pleasure, but as function, symbolism, science, emotional medicine, and a bridge between the material and the metaphysical.

Yet today, despite possessing one of the world’s oldest and most refined perfume traditions, India accounts for only a marginal share of its own indigenous fragrance usage. Less than 5% of the perfumes currently used across the country belong to the traditional oil-based perfume system commonly referred to as attar.

This disconnect between historical origin and contemporary relevance is not simply a matter of changing consumer tastes, globalisation, or the arrival of modern trends. It represents a deeper, multi-layered erosion involving language, colonial influence, market restructuring, loss of institutional patronage, disruption of artisanal lineages, and the gradual collapse of quality standards that once defined India’s perfumery excellence.

Ancient roots

To truly understand how this erosion occurred, one must return to India’s proper historical position in the global story of fragrance. Archaeological and scholarly interpretations suggest that as early as 3500 BCE, during the mature phase of the Indus Valley Civilisation, the subcontinent was already experimenting with rudimentary forms of distillation and controlled aromatic extraction. Excavations across major Harappan sites-such as Lothal, Dholavira, and Mohenjo-daro-reveal a remarkable degree of precision in ceramic manufacture, metallurgy, thermal processing, kiln technology, and material science. These are exactly the skills essential for systematic aromatic work. Vessels designed to heat plant material, channel vapour, and condense aromatic liquids point to an early understanding of extraction principles that would later evolve into highly sophisticated perfumery technologies.

This was not an accidental or isolated discovery. It resulted from sustained empirical observation, trial-and-error refinement, and intergenerational transmission of knowledge, fully integrated into daily life, medical practice, and ritual contexts. While direct chemical identification of fragrance residues from Harappan contexts remains limited due to preservation challenges, the presence of trade networks extending to Mesopotamia, the botanical remains of aromatic plants, and the clear continuity with later Indian knowledge systems strongly support this interpretation.

In ancient and classical India, fragrance was never treated as a frivolous luxury. It occupied a central place in Ayurveda, ritual purification, emotional regulation, seasonal medicine, and daily grooming. Classical texts described aromatic substances as powerful therapeutic agents capable of influencing both physical doshas and psychological states-calming the mind, lifting mood, aiding digestion, supporting sleep, and even balancing subtle energies. Indian knowledge systems also developed a precise, layered, and remarkably consistent vocabulary around aromatic science: gandha (scent as sensory property), sugandha (pleasant fragrance), taila (oils serving as carriers and fixatives), rasa (essence or extractive principle), and arka (distillates obtained through controlled heating and condensation). This linguistic precision was not poetic flourish-it reflected a structured, scientific understanding of fragrance chemistry, extraction processes, material behaviour, and therapeutic application.

These conceptual foundations were further elaborated in major classical works such as the Bṛhat Saṃhitā of Varāhamihira (6th century CE), which treated Gandhayukti-the applied discipline of fragrance formulation, blending, maturation, storage, and contextual use-as a serious branch of knowledge. Gandhayukti considered seasonality, climate, geography, purpose (ritual, medicinal, cosmetic), and even astrological timing, demonstrating how deeply fragrance was integrated into broader scientific, cultural, and civilizational reasoning.

Technological mastery

Over the centuries, these conceptual foundations translated into extraordinary technological refinement. By the early medieval period, India had perfected the deg-bhapka hydro-distillation system-one of the most elegant, climate-intelligent, and materially sophisticated methods ever developed for fragrance extraction. The apparatus consists of a copper deg (heating vessel) in which plant material and water are gently heated, with aromatic vapour passing through a conduit (usually bamboo or metal) into a receiving vessel called the bhapka, which contains a lipid carrier-most classically sandalwood oil. Multiple cycles of slow, controlled heating allow the volatile aromatic compounds to migrate into the oil, enriching it progressively while preserving delicate molecules that would be destroyed or altered by harsher, high-temperature methods.

The resulting perfumes were intimate, exceptionally long-lasting (frequently 8–12+ hours on skin), and highly stable in hot and humid tropical climates. They were deliberately designed not for loud projection across rooms, but for slow, harmonious unfolding directly on the skin-releasing fragrance gradually, layer by layer, in a quiet, personal radius. The deg-bhapka system is a beautiful example of tacit technological knowledge: deep understanding of phase change, selective solubility, vapour pressure, thermal control, lipid protection, and the antimicrobial properties of copper-all integrated into a single artisanal workflow.

Transmission westward

Between the sixth and eighth centuries CE, Indian aromatic knowledge travelled westward through Persia into the Arab world. Persia acted as a crucial cultural and intellectual bridge, absorbing, translating, and systematising Indian techniques while adding its own refinements in apparatus design and scholarly documentation. Within the Arab scholarly tradition, fragrance science was documented extensively in Arabic-the dominant global language of science during that era. It was in this rich intellectual environment that the term ʿiṭr (meaning simply “fragrance”) emerged and gained wide currency. Importantly, the technology preceded the terminology; the word followed the practice rather than creating it.

When Europe later encountered advanced perfumery knowledge between the eighth and twelfth centuries, it did so largely through Arabic texts translated into Latin, often via Islamic Spain (Al-Andalus) and Mediterranean trade networks. What Europe received was already the product of centuries of Indian and Persian refinement. However, by the fourteenth century, Europe introduced a decisive material innovation: the widespread adoption of high-proof ethanol as a fragrance carrier. This gave birth to modern alcohol-based perfumery, enabling rapid evaporation, strong airborne diffusion (sillage), and large-scale industrial standardisation. The new system suited Europe’s colder climate, enclosed indoor social practices, and emerging commercial and capitalist structures.

This moment did not mark the evolution of a superior system; it marked the divergence of two parallel technological architectures, each optimised for its own ecological and social context.

Return to India

Around 1000–1500 CE, during the Persianate and later Mughal periods, the word attar returned to India through elite court culture. This return is frequently misunderstood as the introduction of perfumery itself. In reality, it represented a lexical and prestige shift rather than a technological one. India already possessed a mature, indigenous oil-based perfume science; the term attar simply gained Persian linguistic prestige in royal, aristocratic, and urban elite settings. For centuries thereafter, attars in India remained refined natural distillates, highly valued for their depth, subtlety, complexity, and extraordinary staying power.

Colonial rupture

The true rupture came much later with colonialism. European grooming norms were actively promoted as symbols of modernity, professionalism, civilizational advancement, and social mobility. Alcohol-based perfumes-easily mass-produced, packaged, advertised, and distributed through colonial trade networks-aligned perfectly with the new economic and cultural order. Oil-based perfumes, being artisanal, locally rooted, labour-intensive, climate-specific, and resistant to industrial scaling, were gradually marginalised and pushed into informal, local markets.

As institutional patronage collapsed and colonial education systems devalued indigenous knowledge, something even more damaging occurred. The term attar in India slowly became a catch-all label applied indiscriminately to everything-from exquisite botanical distillates produced through traditional deg-bhapka methods to cheap synthetic oil blends, compounded products containing only traces of naturals, and even completely undefined non-spray fragrances. Quality standards eroded dramatically, consistency disappeared, adulteration became widespread, and consumer trust collapsed. The word lost its technical meaning. It no longer reliably conveyed method, material integrity, authenticity, or expected performance.

In India today, attar has come to represent a highly heterogeneous group of products-ranging from exquisite natural distillates to synthetic oil blends-making the term unreliable as a marker of quality or method.

The problem today

This is why the problem today is not oil-based perfumery itself. It is the profound semantic and market collapse surrounding the word attar within the Indian context. The same breakdown has not occurred everywhere. In West Asia, oil-based perfumery remains institutionally supported, culturally celebrated, and commercially thriving. There, attar continues to represent a respected, clearly defined category with strong quality expectations and consumer literacy. Nearly 40% of the fragrance market in many Middle Eastern countries belongs to oil-based perfumes, valued for craftsmanship, longevity, and perfect suitability to warm climates.

The contrast reveals a crucial truth: oil-based perfume is not outdated or inferior. Where systems of quality assurance, consumer education, cultural branding, and institutional continuity remained intact, the category flourished. Where colonial disruption and post-colonial market distortions dismantled those systems, the category fragmented.

From a scientific perspective, oil-based perfumes remain remarkably intelligent fragrance delivery systems. They bind gently to skin lipids, release aromatic molecules slowly and steadily, resist rapid oxidation, and persist far longer in warm, humid environments. Their perceived “heaviness” often arises from misuse-people apply them in large, spray-like quantities instead of the intended micro-dosing (a single drop or two). Alcohol perfumes offer immediacy and spatial diffusion; oil perfumes offer continuity, intimacy, climatic resilience, and layered evolution over hours. Both are technologically valid when properly understood and used.

The case for JWALE

This brings us to the central issue: naming and categorisation.

The call today is not to erase the word attar globally, nor to interfere with West Asian markets where it functions clearly and successfully. It is not to deny history or reject tradition. The call is to recognise that in India, the word has become functionally compromised—unable to serve as a reliable signal of quality, method, authenticity, or performance.

Revival therefore requires a new, criteria-bound category name that accurately represents India’s indigenous oil-based perfume technology and restores clarity for modern consumers, artisans, scientists, regulators, and future generations.

For this reason, I propose a contemporary Indian term: “JWALE”.

Derived from the Indic root ‘jval’, meaning “to glow,” JWALE captures the defining character of Indian oil-based perfumes. These fragrances do not shout or project aggressively; they glow. They unfold gradually, remain close to the body, and persist through time with quiet elegance and depth. Pronounced “JWAH-lay,” the term reflects both deep linguistic heritage and the actual sensory behaviour of the product.

JWALE is not a brand, nor a commercial label. It is a proposed category concept intended to denote natural oil-based perfumes produced through traditional vapour-mediated technologies-most ideally the deg-bhapka hydro-distillation system. Its purpose is to restore predictability, dignity, technical clarity, consumer trust, and artisanal pride to a perfume tradition that deserves far better than to remain hidden behind a semantically broken name.

This proposal does not seek to replace the word attar globally, nor to interfere with West Asian traditions where it remains culturally intact and economically successful; it addresses a specifically Indian semantic and market collapse.

A more detailed technical discussion of these arguments is also presented in the preprint paper “Naming the Unnamed Gap in Indian Perfumery and the Case for JWALE”.

Restoring India’s fragrance

Today, fewer than 5% of perfumes used in India belong to our indigenous oil-based tradition. This is not because the technology failed or became obsolete. It is because cultural memory faded, language blurred, artisanal ecosystems weakened, institutional support vanished, and colonial and post-colonial market forces reshaped aspiration, perception, and desire.

India did not lose perfumery knowledge. It lost confidence in claiming it.

Reviving India’s fragrance heritage does not mean rejecting modern perfume culture, international brands, or global trends. It means bringing Indian sophistication-rooted in science, climate intelligence, material wisdom, and aesthetic subtlety-back into contemporary discourse with clarity, pride, and renewed scientific understanding.

Long before perfume became a spray, India mastered essence. Long before fragrance became branding, India understood intimacy, longevity, balance, and layered revelation. Perhaps the time has come to let India’s fragrance glow again-not as nostalgia, not as revivalism, but as living technology, restored in both name and respect.

(Dr. Abdul Ghafur is Senior Consultant in Infectious Diseases and Body Odour Medicine, Apollo Hospital, Chennai; Director, FragraGenomics Biotech Pvt Ltd. drghafur@hotmail.com)

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Manishka Dubey is known for having won The Inventor Challenge on Colors Infinity TV, for her ‘Child Safety Band’, a creation that was made to help children when they get lost and can’t find their parents. Her great passion towards STEM (Science, Technology, Engineering, and Mathematics) and strong desire to help others have led her to make incredible achievements through her years of tinkering. 

Origin of interest

Manishka’s passion for technology and science began when she was five and a half years old. This passion rose within the walls of her classroom when the class was being taught a chapter about space and the ISS (International Space Station). Her interest further grew with a short trip to the school’s theatre room, where their teachers showed them exactly what went on within the ISS, and the work the astronauts did there, which mainly includes spending six-month expeditions where they maintain the space station and conduct scientific experiments. Following this, Manishka developed her interest in technology, coding, and most importantly, robotics, which is considered to be a powerful source of hands-on learning that provides students with both intellectual and moral lessons. “When I started working in robotics,” Manishka recalled, in an online interview with The Hindu In School, “one of the most important lessons I learnt was, ‘resilience matters’. Every failure is not a setback, but a stepping stone that brings you closer to success.” The powerful truth behind these words cannot be overlooked. She also emphasised the importance of imagination and collaboration, placing ‘teamwork’ as the main point of focus, stating that it brought in diverse perspectives, which, in turn, led to stronger innovative solutions. 

Manishka with her trophy from ‘The Inventor’s Challenge’.
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The smaller problems

In order to create something innovative, one of the main tools one would need would be a blueprint or a displayed visual of what their invention would look like and what its main components would be. But before all this, a basic idea must be formed. When asked for the inspiration and process behind her inventions, Manishka revealed that a majority of her ideas came from real-life problems she noticed around her. There are times when attention to small challenges can lead to large-scale solutions, but people tend to overlook these problems due to their size. “One thing I believe,” Manishka stated, “is that lots of people work on bigger problems, but they don’t focus on the small problems that occur around one’s house or neighbourhood.” Once she took notice of these kinds of problems, a different question took form in Manishka’s mind: “Can I solve these problems with technology?” That is when the process began! Every time a bright idea clicked in her mind, Manishka would sketch, build models, and create simple simulations to visualise it. In her words, “Innovation is about connecting curiosity with problem-solving,” and then bringing about a new experience.

Tinker to Techie:Manishka Dubey has also authored the book titled Tinker to Techie.  It follows the story of a girl who is called ‘Tinker’ due to her reputation for taking apart and tinkering with objects, just to figure out how they function and work.
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The tinkering process

The beauty of tinkering and inventing comes from the fact that it can turn creations that once lay within the virtual, intangible realm of thoughts and ideas into objects of reality. But how does one turn an idea into a real-life creation? “What I do,” Manishka revealed, “is basically select a problem, and imagine different scenarios. What can happen? What cannot? What should I add, and what shouldn’t I?” It is through asking this series of questions that the young techie decides the components required to turn her genius idea into a working invention. Once the parts are chosen, the next step is to scribble! To actually visualise her invention, and make it look good and catchy, Manishka draws a basic sketch of its structure. “The blueprint comes to my mind during the step-by-step process of identifying the problem and coming up with a solution to it.” 

But the drawing process isn’t always easy. Unlike paintings and normal sketches, blueprints hold drawings of objects that need to be replicated and used in real life. When Manishka began creating basic sketches of her devices, there was always confusion that arose regarding their design. This included their shape, size, components, features, space, etc. But she always had her mentors to help and guide her through these doubts and confusions. Her search for solutions to small problems and creative inventions led her to the stage on Colors Infinity TV in 2022, where she won The Inventor Challenge. And it was here that she revealed her next big step for her journey as a changemaking inventor/techie.

Support in STEM

When she was on The Inventor Challenge, Manishka was asked a major question, “What will you do further?”. Her answer came in the form of Tinker Techie, an innovative startup that she founded to provide solutions and support to child-centric and educational problems faced in the world today, and also provide girls with education to get into STEM.

In a survey recently conducted on 942 students by NGO Child Rights and You (CRY), it was revealed that a major hurdle for young girls interested in STEM-related careers was their lack of awareness about the fields, with 52% of them not knowing what STEM stood for, despite 54% of them planning to take up science as their main stream of study. A portion of the young girls who wanted to pursue STEM education faced a lack of family support in the form of traditional expectations and early marriage arrangements. 

Providing girls with awareness of STEM, support, and a good role model can serve as a major step towards helping them gain better access to the fields. Manishka strives to be one of these role models. “I believe that if I can do it, any girl can!” she stated, “Tech has no gender, STEM has no gender. Everybody has the equal right and opportunity to be in the field of science and technology.” Workshops are conducted, and communities are created and managed. “We offer intra-community support for girls who are facing any issues in the field of STEM, regardless of age or location.” These workshops are held both online and offline for the comfort of those who live far away.

“If you’re passionate about something, give it your best, give it your 100%. When you don’t succeed, instead of feeling low, think of it as a lesson to try harder next time.””Manishka Dubey

Challenges faced

Manishka’s path to the founding of her startup was a bumpy one, with many obstacles. One of the biggest hurdles she had to face was her age. When she was eight, she was given support by iStart Rajasthan, a flagship initiative that provided platforms and promotions for students to create startups. Supported by her iStart advisor Raunak Singhvi and her robotics and coding mentor Shailendra Tripathi, Manishka was provided with the knowledge and skills she needed to enter the startup world. “When I started my startup, I was really new,” Manishka revealed. “I didn’t know anything about the startup world, how to pitch, or grasp the attention of investors. But when I got into iStart, I got to see other startup founders doing it and got motivated.” Being new to the field of entrepreneurship, she turned her challenges into learning experiences. Manishka had to balance running her startup with her studies and schoolwork. When the pressure got to her, making her feel demotivated and uninspired, she took time alone to partake in calming and fun activities, like listening to music, playing with her brother, and spending time with the people she loves.

Manishka showcasing one of her educational inventions. The Smart Self-Tutor Device, which was created to help visually impaired children with learning.
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Manishka’s fabulous inventions

The young tech prodigy has already implemented her knowledge in the creation of many inventions that have earned her awards. Given below are two of the most popular ones.

Child Safety Band

What better way to start this off than with the gadget that won Manishka the Inventor Challenge? The child safety band is a device that can be worn and used by children in emergencies for when they are lost. It provides a geofence (A virtual perimeter around a provided geographical location), tracking feature, and an emergency SOS button to notify local public authorities who can help the child find their parents. The device also holds flashing LED lights to alert people nearby. Additionally, it has an integrated companion app for parents to locate their lost child. This device can be worn in many forms, a band, a bag tag, an ID card, etc.

Smart Self-Tutor Device

Manishka had created this educational device for the visually impaired children. It provides them with lessons on the Braille alphabet, numbers, words, sentences, etc. The device uses NFC cards (cards with a Near Field Communication chip that allows wireless data transmission) with Braille printed on them. These cards are also linked with audio feedback to provide better and efficient learning experiences.