It was 25 years ago that Mark Butcher scored a monumental 173 not out in England’s successful chase against Australia in the Headingley Test. He scored seven other Test hundreds, some of them against the most fearsome attacks. He is now a popular commentator and sharp analyst of the game. Excerpts from Butcher’s exclusive interview with The Hindu at Lord’s:
Your comparison of Vaibhav Sooryavanshi with Garry Sobers earlier this year got a lot of attention. It was fascinating, how you proved, through the help of visuals, the similarities in the bat swing, hand speed…
I watched him make that 175 [off 80 balls] in the Under-19 World Cup final [against England at Harare]. I was struck by that incredible, long, high backlift, the huge follow-through, the complete circle almost where the bat finishes around, tapping him on the spine. You know, Sobers used to hit a lot of shots with his feet together. He would play full balls almost off the back foot. And Sooryavanshi can hit them like that too.
Even if his career ends up not reaching the expectations that other people have, which I think is very unlikely, he has still in the IPL done something that all of the greatest players up until now have never, ever done: none of them have managed to score at a strike-rate of 230, hit that many sixes, be that consistent in the entirety of the IPL. It is still one of the most remarkable things I have ever seen.
Defining moment: Butcher says his 173 n.o. at Leeds ‘changed everything’. ‘You wouldn’t be talking to me if it hadn’t been for that. And I wouldn’t be working in TV either.’
| Photo Credit:
Getty Images
Today’s youngsters are exposed to T20 from the beginning, whereas when I was very young, it was Test matches. They grow up thinking about batting very much in a hyper aggressive mode. These younger guys can do things at their age that we wouldn’t have dreamt of at ours.
ALSO READ | Garry Sobers: cricket’s greatest — a legacy beyond numbers
Yes, even Sachin Tendulkar didn’t hit as many sixes, for all his genius. Sooryavanshi is a product of the T20 era of cricket.
Correct. So he will have to learn the game the other way around. He will have to learn how to bat time, to defend. In our generation, it was the opposite. We would have to spend a lot of time learning how to hit the ball.
How do you recall your masterpiece — 173 not out in 2001?
My main memory is about that summer, really. I wasn’t expecting to play Test cricket again. I got an opportunity and I played 42 Tests in a row. I had completely changed my game.
Your father helped, didn’t he?
That is right. The biggest thing I remember is the relationship I had with my dad in the winter of 2001. I called him and said, ‘Dad, I am hating playing cricket.’ Something that I had always loved. Now I was hating it. And I said to him — ‘Treat me as though I have never played the game before.’ So we went right back to the beginning. He really taught me how to hold the bat, how to stand, the whole thing. We changed my grip. We changed my stance. We changed my backlift. Everything. We went back to zero. Like I was five years old. And we worked like that for about three months. And then I luckily got back into the team. I had made a few runs playing for Surrey. A few injuries in the England camp before the Ashes started, and I got in.
How much does that knock, which came against Glenn McGrath, Shane Warne, Brett Lee and Jason Gillespie, mean to you?
Ah, it was huge. You wouldn’t be talking to me if it hadn’t been for that. And I wouldn’t be working in TV either. So that innings changed everything. It was the greatest day.
And how was the coach’s reaction?
I know my dad was in tears when [BBC] Test Match Special called him up.
The players you like to watch these days?
I actually love watching K.L. Rahul. I think he is a sensational player. Really classy. Harry Brook is fabulous to watch when he is in. Joe Root, too. And Travis Head — you can’t take your eyes off the screen when he is batting.
You have played against some of the greatest bowlers in history. Who were the most challenging among them?
Blimey! Curtly Ambrose. Him and Courtney Walsh. And then you had, obviously, Shane Warne. Glenn McGrath. Murali [Muttiah Muralitharan].
Among the Indians?
Harbhajan [Singh] and [Anil] Kumble, on those tracks.
And the batters you admired?
[Brian] Lara was sort of the king around about those times. Fellow left-hander, so I greatly admired him. Then the guys like [Ricky] Ponting, Sachin [Tendulkar], obviously. I remember applauding Ricky from second slip at the WACA, much to the annoyance of Nasser Hussain, who was standing next to me at slip. He glared at me. I was just standing there going, ‘Oh man, that’s good’. There were a lot of great players around, like the South Africans, Jacques Kallis and Graeme Smith.
An aesthete’s eye: A batting stylist in his time, Butcher appreciates elegant strokeplay. Brian Lara, K.L. Rahul and Smriti Mandhana are some of his favourites.
| Photo Credit:
Getty Images
Is there cause for concern about the future of Test cricket?
Yeah, of course, there is. What you would like is to have eight to ten teams who are competing on a level playing field. If only England, Australia and India are playing each other, the game is starting to eat itself, you know.
Eventually, one of the great things about all of the series that go around is that you are anticipating and you are excited about the idea about playing this team at this venue. But if it is the same three teams the whole time, it is not that exciting.
What has happened in the modern era is that the gap between the countries that have plenty of finances and the rest has got wider. The competition has perhaps thinned out a little bit in recent times. And that is a huge shame, that finances have meant that a lot of countries, the West Indies, being the most obvious example simply because of their dominance [in the past], have suffered.
South Africa are kind of hanging in there. They are still producing a lot of players and they still manage just about to keep enough of their most talented players to play Tests. But in places like Sri Lanka and the West Indies, they find it very difficult to keep their best players who disappear off to earn more money playing T20. And that is a problem for the world game.
The First Class game and the structures that produce Test Match cricketers are strong in some places and not very strong at all in others.
Your thoughts on Bazball?
I have been critical of it at times. In the game of cricket, the Test match is the game. And they tried to do something that was going to take the game to a different place. But Test match cricket kind of fought against it a little bit. Because when it came down to it, in the big games against the likes of India and Australia, it didn’t work. And so, Test match cricket is kind of greater than any idea that people might have around how you play it.
And Test cricket is the greatest form of sport.
It is. The sport itself dictates to you what is necessary. And if you push too hard, the game will bite you back. And that is what happened. There is as much pleasure to be taken from a really hard-fought draw sometimes as there is from smashing it all over the park.
ALSO READ | Cricket World Cup – Will expansion lead to elevation?
The women got to play a Test at Lord’s, finally.
This has come about because the world has decided, well, you know, this is a great game of cricket, right? Why would we want to stop 50% of the world’s population from enjoying and playing the sport that we think is a great sport? And so that opportunity is now there and what you are seeing is a product of that.
Players in the women’s game that you enjoy watching?
I like Smriti Mandhana’s batting. She is just an incredibly graceful player. So easy on the eye. Very, very lovely to watch. She plays pace and spin equally well. She reminds me of David Gower, in fact. Harmanpreet Kaur is very good to watch, too. And Jemimah Rodrigues is a fine technician.
Besides cricket, music is your other passion. And you had the opportunity of performing with Sarah Brightman, one of the greatest voices of our time.
It was good fun, singing some of Sarah’s favourite songs on live television. It was kind of nerve-racking, but it was good.
