Mysuru – Artifex.News https://artifex.news Stay Connected. Stay Informed. Sun, 11 Oct 2026 19:19:00 +0000 en-US hourly 1 https://wordpress.org/?v=7.1.3 https://artifex.news/wp-content/uploads/2026/05/cropped-cropped-app-logo-32x32.png Mysuru – Artifex.News https://artifex.news 32 32 11-day Mysuru Dasara festivities begin with a traditional start https://artifex.news/article71571301-ecerand29/ Sun, 11 Oct 2026 19:19:00 +0000 https://artifex.news/article71571301-ecerand29/ Read More “11-day Mysuru Dasara festivities begin with a traditional start” »

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Seer of Gavi Mutt Abhinava Gavisiddesheshwara Swami and Chief Minister D.K. Shivakumar at the inauguration of Mysuru Dasara 2026 atop Chamundi Hills in Mysuru on Sunday.
| Photo Credit: M.A. Sriram

The 11-day Mysuru Dasara festivities got off to a traditional start atop Chamundi Hills on Sunday, with Abhinava Gavisiddeshwara Swami of Gavimutt, Koppal, lighting the traditional lamp and showering flowers on the idol of Goddess Chamundeshwari placed in a flower-bedecked silver chariot on the temple premises.

The inauguration marked the beginning of a series of Dasara events, including the flower show, citywide illumination, Dasara sports meet, cultural programmes against the backdrop of the illuminated Mysuru palace, food festival, book fair and traditional wrestling bouts.

Chief Minister D.K. Shivakumar and other dignitaries participated in the inaugural ceremony, setting the stage for 11 days of festivities celebrating Mysuru’s rich cultural heritage and royal traditions. For the first time, over 200 seers and religious heads attended the inaugural event.

In his inaugural address, the seer said Dasara, once a royal festival, had evolved into a celebration of the people and the land.

Saying that he did not consider himself good enough to inaugurate Dasara, the seer said he had come to the abode of Goddess Chamundeshwari with a prayer that the lamp lit by great personalities in the past should continue to burn. “I have come to pray for good rains and a good harvest, and for the happiness of the people,” he said.

Describing Dasara as a confluence of the past, the present, and the future, he said society should be built on values and ethics rather than caste. “Loving another human being as a human being is humanity,” he said, recalling Basavanna’s 12th-century message of Kayakave Kailasa (work is worship).

Recalling the Mysuru royal family’s contribution to the development of the region, the seer said the Dasara tradition could not be separated from the history of the Wadiyar dynasty.

‘We cannot download food’

Emphasising the importance of agriculture, the seer said technology might make it possible to download almost everything, but it could never download food.

“However advanced technology may become, we cannot download rice and sambar. We depend on the crops grown by farmers,” he said, calling for greater priority to agriculture and the conservation of natural resources.

He urged the government and the public to protect rivers such as the Cauvery, the Krishna, and the Tungabhadra. “We can import many things, but we cannot import water,” he said.

‘Contribute to schools’

Recalling educationist Harekal Hajabba’s contribution, who used his earnings from selling fruits to build a school, the seer urged people to support the development of schools in their respective villages.

“People from Karnataka who have settled overseas can contribute to building laboratories and libraries in schools, giving back to their homeland and supporting the State’s development,” he said.

“If all 6 crore people in the State pledge to work for development, it will mean 6 crore steps in the right direction,” he said.



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MCC worker attacked while clearing flex banners https://artifex.news/article71552677-ecerand29/ Tue, 06 Oct 2026 16:36:00 +0000 https://artifex.news/article71552677-ecerand29/ Read More “MCC worker attacked while clearing flex banners” »

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A contract worker of the Mysuru City Corporation (MCC) was allegedly attacked while he was clearing unauthorised flex banners at FTS Circle in the N.R. Assembly constituency here on October 4 night.

The incident occurred around 10.30 p.m. when Raghu, a contract worker attached to the MCC’s Abhaya team, was reportedly removing “unauthorised” flex banners and publicity materials along with other members of the team.

Raghu sustained stab injuries to his face, chest and arm. He was rushed to K.R. Hospital, where he received several stitches and was initially admitted to the ICU. He is now recovering in a ward.

Two persons have been arrested in connection with the alleged assault.

MCC Commissioner M.K. Savita visited K.R. Hospital and enquired about Raghu’s health.

The incident comes against the backdrop of the MCC’s decision to launch a special drive to remove illegal flex banners and publicity materials from the city ahead of the Mysuru Dasara festivities.

Chief Minister D.K. Shivakumar, during his recent visit to Mysuru and a Dasara meeting, had directed the MCC and the city police to ensure that the city was made free of illegal flex banners.



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Fact, fiction and flying objects: This new docufiction journeys across prehistory, colonial records and UFO encounters in Pavagada https://artifex.news/article71483457-ecerand29/ Sat, 19 Sep 2026 10:12:00 +0000 https://artifex.news/article71483457-ecerand29/ Read More “Fact, fiction and flying objects: This new docufiction journeys across prehistory, colonial records and UFO encounters in Pavagada” »

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Sashi Sivramkrishna’s latest docufiction, The Incidents at Pawgur, 1830, brings together several of his deep interests. “Mysuru history, the journey of the Scottish physician, botanist, and surveyor Francis Buchanan through South India, a fascination with prehistoric sites and UFOs,” lists the Bengaluru-based economist and documentary filmmaker, who recently screened the film at the Bangalore International Centre.

Blending documentary-style narration with fiction, it follows a contemporary UFO encounter that leads to a journey back in time through the drought-prone, starkly beautiful landscape of Pavagada, about 160 km north of Bengaluru in Tumkur district. The film follows two researchers and a local explorer as they retrace the path of 19th-century British surveyor John Warren, who may have also had a similar encounter.

The film poster
| Photo Credit:
Special Arrangement

“I wanted to tell a story, and there were several ways I could do it, including an audio podcast or feature film. Another way was to make a fiction film in a documentary style, which is what I did here,” says Sashi, who believes that using this format made the film more believable. “When we watch feature films, at the back of our minds, we know that it is fiction. But when you tell a story, like this, in a documentary style, you are more likely to convince people,” he believes.

While the film’s characters and overarching narrative are largely fictional, the history of Pavagada that underpins the storyline is not. “It is a work of fiction, but has got some history in it. The menhirs and the prehistoric sites are there, though I don’t name the villages on purpose, because many of these are private lands,” says Sashi, who worked with Shiva, an explorer familiar with the terrain, to make this film. “He had visited the forts and prehistoric sites showcased in the film, many of which were not even known to the local people of the region.”

Bengaluru-based economist and documentary filmmaker Sashi Sivramkrishna

Bengaluru-based economist and documentary filmmaker Sashi Sivramkrishna
| Photo Credit:
Special Arrangement

The inspiration for the 19th-century British surveyor came from Sashi’s own interest in Francis Buchanan’s journey, something he has researched extensively and even written about in a graphic novel titled A Journey into the Furnace of History: The Dying Embers of Ancient Iron-Smelting in India. “I like the idea of retracing a journey, so I kept that in mind,” says Sashi, who has visited Pavagada several times before and finds the landscape “fascinating. It is not like the Western Ghats or the Himalayas, but it has got its own beauty.” In his opinion, the rocky landscape of the region, “very quiet, very distant was particularly suited for UFOs.

The film idea first emerged in June-July 2025. “I got all these inputs from Shiva and started writing the script for the film. It is entirely scripted, with professional actors playing the roles of the various experts in the documentary,” he explains. Once Sashi completed the planning, recce, and obtaining permissions, he began shooting for the film in February 2026. “We did five days outdoors at all the sites, and three days of staged interviews in Bengaluru…so about eight days of shooting in all.”

The film, officially released on July 4, has already been sent to a few festivals, says Sashi, whose earlier work includes The Curse of Talakad (2005), A Looming Past (2010),and The Indigo Factory (2024). “There are a lot of film festivals for hybrid films and something called mockumentaries, though I don’t really like the word.”

The film took around eight days to shoot

The film took around eight days to shoot
| Photo Credit:
Special Arrangement

According to him, most mockumentary films fall into the found-footage genre, like The Blair Witch Project, rather than the fictional documentary genre. “This kind of format, which almost looks like a serious Netflix documentary, is not so popular, but I believe the use of interviews really convinces people,” he says.

The film has had a great start so far, even being selected for screening at OFFNI Cine Fest 2026 in Buenos Aires, Argentina, says Sashi, who is deeply grateful to Shiva and the rest of the crew, especially Mithun TM, who was key to bringing his vision to life through his work on cinematography, editing, colour grading, and VFX. Once the festival circuit is over, he plans to drop the film on an online digital film distribution platform like Filmhub and see where it goes from there. “I just want to try and see if it works. Meanwhile, I plan to have private screenings in Bengaluru and outside.”

To know more, log into theincidentsatpawgur1830.in

Published – September 19, 2026 03:41 pm IST



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Mysore Grahakara Parishat plans silent protest against Parks’ Act amendment https://artifex.news/article71389670-ecerand29/ Tue, 25 Aug 2026 15:15:00 +0000 https://artifex.news/article71389670-ecerand29/ Read More “Mysore Grahakara Parishat plans silent protest against Parks’ Act amendment” »

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MGP’s founding-working president Bhamy V. Shenoy and working president S.K. Dinesh have written to Governor Thaawarchand Gehlot urging him not to give his assent to the proposed amendment to the Act.
| Photo Credit: File photo

The Mysore Grahakara Parishat (MGP) has planned a silent protest in Mysuru on August 30 against the State government’s reported move to amend the Government Parks (Preservation) Act, 1975.

The proposed amendment, passed by the State Assembly, seeks to permit portions of park and garden land to be used for public infrastructure and utility projects. MGP has expressed concern over the provision that could allow up to 5% of park land to be “sold, leased, gifted, exchanged or mortgaged”.

MGP’s founding-working president Bhamy V. Shenoy and working president S.K. Dinesh have written to Governor Thaawarchand Gehlot urging him not to give his assent to the proposed amendment to the Act, arguing that the move will result in destruction of parks. They urged him not to sign the Bill to save the State’s parks and thereby protect the environment.

According to MGP, the existing Act permits 5% of park land to be used only for park maintenance. It has opposed expanding the provision, stating that it could open the way for the gradual diversion of parks for purposes other than their intended use.

The organisation has also warned that such a move could have a long-term impact on the environment at a time when cities are increasingly facing the effects of climate change and loss of green spaces.

The proposed protest is intended to demonstrate strong public opposition and convey the concerns of citizens to the Governor, Mr Shenoy said.

MGP has appealed to Mysureans, environmental activists and NGOs working for environmental protection to participate in the protest. Citizens have also been urged to write to the Governor opposing the Bill, they said.

The protest will be held at Cheluvamba Park on August 30 from 8 a.m. to 9 a.m. For details, contact S.K. Dinesh at 98451 10202.



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Siddaramaiah makes brief visit to Mysuru https://artifex.news/article71277912-ecerand29/ Tue, 28 Jul 2026 15:40:00 +0000 https://artifex.news/article71277912-ecerand29/ Read More “Siddaramaiah makes brief visit to Mysuru” »

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Siddaramaiah.
| Photo Credit: File photo

Former Chief Minister Siddaramaiah, who was in New Delhi in connection with discussions on the Cabinet expansion, made a brief visit to Mysuru on Tuesday (July 28).

Sources in the Congress party said Mr. Siddaramaiah flew to Mysuru from the national capital to participate in the rituals related to his elder son Rakesh Siddaramaiah’s death anniversary. He flew back to Delhi after participating in the rituals on Tuesday. 

Speaking to reporters in Mysuru, Mr. Siddarmaiah expressed confidence that the Cabinet expansion would be finalised by Tuesday evening, when a meeting is scheduled to take all decisions in the regard.

However, he said questions related to the date and time of the expansion should be directed to Chief Minister D.K. Shivakumar.



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Singer Janaki cremated with state honours in Mysuru https://artifex.news/article71214416-ecerand29/ Sun, 12 Jul 2026 19:10:00 +0000 https://artifex.news/article71214416-ecerand29/ Read More “Singer Janaki cremated with state honours in Mysuru” »

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Veteran actors Srinath and Bharati Vishnuvardhan paying their last respects to S. Janaki in Mysuru on Sunday.
| Photo Credit: M.A. Sriram

Legendary singer S. Janaki was cremated with state honours at a farmhouse in Kaniyanahundi near Mysuru on Sunday evening.

Janaki’s granddaughter Apsara Vydyula performed the last rites as per Telugu Brahmin traditions in the presence of her close relatives, people’s representatives, friends, and a large number of admirers and the general public.

Earlier, Janaki’s mortal remains were brought in a vehicle with police escort to the farmhouse in H.D. Kote taluk of Mysuru district from Maharaja’s College grounds, where it was kept for public viewing.

The last rites were held at the farmhouse belonging to Janaki’s admirer and caretaker Naveen as per the singer’s wishes. Janaki’s late husband Ramprasad was from Mysuru and the singer had chosen to make Mysuru her home in the last few years. Both Janaki’s husband and their only son Murali Krishna had predeceased her.

Ms. Apsara thanked the government for the state honours and public homage. On Janaki, Ms. Apsara said her grandmother was one of a kind with remarkable talent, and was special for the whole world. “I will remember her more as a grandmother, who was so kind and generous. She was full of love and laughter with a child-like spirit. She was a unique soul,” Ms. Apsara said.

The cremation was attended by Urban Development Minister Yathindra Siddaramaiah, MLAs T.S. Srivatsa and Anil Chikkamadu, Deputy Commissioner of Mysuru Lakshmikant Reddy, Superintendent of Mysuru Mallikarjun Balandandi and Mysuru Zilla Panchayat Chief Executive Officer Yukesh Kumar.

Several personalities from the Kannada film industry including chairperson of Karnataka Film Chamber of Commerce S. Jaimala and veteran actress Bharathi Vishnuvardhan and noted music composer Hamsalekha also attended the cremation.

Extensive arrangements had been made at the farmhouse with barricades erected from the approach road to the place of cremation. Adequate police personnel had been deployed to maintain security at the venue. 

Demands for memorial

Chief Minister D.K. Shivakumar said he would discuss with the film industry how to memorialise Janaki in Mysuru for posterity. “She was a nightingale of Indian cinema. She won four national awards and 33 state awards. We have also honoured her with the Rajyotsava Award. I offered her family members to airlift the mortal remains to Hyderabad or Chennai, if they so wished. But they said she wished to be cremated in Mysuru only. She spent her last days here, and we will discuss with the film industry and decide how to honour her memory,” he said.

Earlier in the day, music director and lyricist Hamsalekha and chairperson of Karnataka Film Chamber of Commerce and actor Jaimala pitched for ways to memorialise the legacy of Janaki in Mysuru. 

Noted music composer Hamsalekha speaking to reporters after paying his last respects to S. Janaki at Maharaja’s College grounds in Mysuru on Sunday.

Noted music composer Hamsalekha speaking to reporters after paying his last respects to S. Janaki at Maharaja’s College grounds in Mysuru on Sunday.
| Photo Credit:
M.A. Sriram

Mr. Hamsalekha said the music industry is keen on setting up a meditation centre and music school at the farm in Kaniyanahundi, where she was cremated. He appealed to the State government to extend its support to the venture.

“A memorial in her honour will be a befitting tribute to her contribution to the world of cinema,” he said.

Veteran actor and KFCC chairperson Jaimala paying her last respects to the mortal remains of legendary singer S. Janaki in Mysuru on Sunday.

Veteran actor and KFCC chairperson Jaimala paying her last respects to the mortal remains of legendary singer S. Janaki in Mysuru on Sunday.
| Photo Credit:
M.A. Sriram

Ms. Jaimala pitched for a study centre on music at the University of Mysore. “Such a centre will facilitate studies in Janaki’s singing and her long and illustrious career as a playback singer in multiple languages,” she said. 



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A lullaby falls silent: Kannada cinema bids farewell to S. Janaki https://artifex.news/article71211517-ecerand29/ Sat, 11 Jul 2026 20:02:00 +0000 https://artifex.news/article71211517-ecerand29/ Read More “A lullaby falls silent: Kannada cinema bids farewell to S. Janaki” »

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S. Janaki.
| Photo Credit: File photo

The melodic gem Naguva Nayana from Pallavi Anu Pallavi (1983) depicts the charm of old Bengaluru and finds a special place in the hearts of those who grew up in the city before its rapid transformation. S. Janaki’s graceful rendering and her striking chemistry with S.P. Balasubrahmanyam create a nostalgic comfort hard to beat.

The song is a reminder of the legacy Janaki, who passed away in Mysuru on Saturday (July 11), leaves behind. With the passing of the playback singing great at 88, a vital chapter in the history of Kannada cinema comes to an end.

“She displayed extraordinary talent in singing songs across genres,” director Yogaraj Bhat told The Hindu. He added, “She used to be addressed as ‘amma’ by everyone, and today, with her death, it feels like we have heard the last line of her lullaby. However, her music is eternal.”

S. Janaki and S.P. Balasubramaniam, photographed at a performance in 2004.

S. Janaki and S.P. Balasubramaniam, photographed at a performance in 2004.
| Photo Credit:
File photo

Among the tributes that poured in from the Kannada music and film fraternities, one sentiment stood out: her extraordinary versatility. When Kannada cinema music witnessed the birth of youthful romantic music with Premaloka (1987), Janaki was at the forefront. Her expression of love in the song Idu Nanna Ninna Prema Geethe Chinna was marked by youthful energy.

Music composer Gurukiran calls her “the queen of South Indian music”. “She was Ilaiyaraaja’s favourite. It’s a commendable achievement, because Ilaiyaraaja is a meticulous perfectionist. Those days, there was no process of pitch correction. So, to maintain such a high quality is proof of her talent. We were lucky to be born in her era,” he says.

Part of Kannada culture

With the song Jotheyali from Geetha (1981), Janaki became an inseparable part of Kannada culture. The song, buoyed by Janaki’s heartfelt rendering, is a hit at any festival celebrating the State and the language.

“She is a great role model for the next generation of playback singers,” says lyricist V. Nagendra Prasad, who notes, “Despite not being a Kannadiga, she learnt the language. She had the ability to provide the right expression for the lyrics. She was also blessed with great texture, helping her sing several children’s songs.” Songs such as A Aa E Ee Kannadada Aksharamale, Sihimuttu, Sihimuttu Innondu were among the songs she rendered in the voice of a child.

Composer R.P. Patnaik was surprised by one of her unique abilities. “You wouldn’t see any expression on her face when she sang. Any expression, including mimicry, emerged from her throat,” he explains.

S. Janaki and Pramoda Devi Wadiyar, photographed in 2017.

S. Janaki and Pramoda Devi Wadiyar, photographed in 2017.
| Photo Credit:
File photo

Retro hits

Kannada retro hits have a strong presence of Janaki, says film historian K. Puttaswamy. “Her song Gaaligopura Ninnashatheera from Nanda Deepa (1962), Yaava Janmada Maithri from Gowri, and Bhuvaneshwariya from Mareyada Haadu were some of her solo classics.”

Janaki lent her voice to iconic songs for every renowned music composer in Kannada cinema. If it is Gaganavu Ello for Vijay Bhaskar in Puttanna Kanagal’s Gejje Pooje (1969), then it is A Aa E Ee Kannadada for Ranga Rao in the movie Karulina Kare (1970). Under the composition of the celebrated duo Rajan-Nagendra, one of Janaki’s memorable songs is Ellu Hogalla from Gandhada Gudi (1973).

For the legendary G.K. Venkatesh, Janaki’s evergreen number is Malenaada Henna in the classic Bhootayyana Maga Ayyu (1974). Ee Bandhana — M. Ranga Rao’s composition — is a love anthem from Janaki for the romantic tragedy Bandhana (1984). The song features K.J. Yesudas, who shared a long and successful musical partnership with Janaki.

Even the great Janaki was also challenged, he recollects. “She had confessed in a reality show that Shiva Shiva Ennada from S. Siddalingaiah’s Hemavathi (1977) was one of her toughest renditions she had ever sung.”



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10th edition of Mysuru Literature Festival begins https://artifex.news/article71183004-ecerand29/ Sat, 04 Jul 2026 14:26:00 +0000 https://artifex.news/article71183004-ecerand29/ Read More “10th edition of Mysuru Literature Festival begins” »

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The tenth edition of the Mysuru Literature Festival being inaugurated by Pramoda Devi Wadiyarm, along with other dignitaries, in Mysuru on Saturday.
| Photo Credit: M.A. Sriram

The 10th edition of the Mysuru Literature Festival began in the city on Saturday, bringing together authors, artistes, historians, entrepreneurs, and literature enthusiasts from across the country.

Curated by Shubha Sanjay Urs and organised by the Mysuru Book Clubs Charitable Trust and the Mysuru Literary Forum Charitable Trust, the festival was formally inaugurated by Pramoda Devi Wadiyar of the erstwhile Mysuru royal family.

Former diplomat and author Amish Tripathi, the guest of honour, referred to the legend of Goddess Chamundeshwari slaying Mahishasura and said Mysuru derived its name from that mythology.

Paying tribute to the Wadiyar dynasty, he said the rulers had served the people of the region by establishing educational institutions and hospitals, while also developing well-planned cities.

Author and entrepreneur Aroon Raman, another guest of honour, said he was delighted to be part of the festival’s tenth edition, recalling that he had also participated in its inaugural edition in 2017.

On the occasion, the organisers felicitated Ankegowda of Pustaka Mane, Mandya, who was conferred the Padma Shri earlier this year.

The festival also witnessed the release of several books by Pramoda Devi Wadiyar. These included Malgudiya Mayakarana Mane by Jayashree Jagannath and Shubha Sanjay Urs, coinciding with the 120th birth anniversary of R.K. Narayan.

Other books released were Core Strength: Triton Valves – The First Fifty Years by Roopa Pai, Soulful Symphony by Hemamalini Lakshman, If Gandhi Returned by Rudrappa C., and Longing for an Elsewhere by Chandan Gowda.

The covers of Inner Charioteer by R. Balasubramaniam, a full-time member of NITI Aayog, and Mysuru Lancers by Anil Raje Urs were also unveiled.

The literary sessions began with a session by author Shatavadhani R. Ganesh, who spoke on the need to preserve literature and poetry.

Later, in a conversation with journalist Shankar Bellur, aviation pioneer Capt. G.R. Gopinath shared his views on how India is transforming in contemporary times.

K.S. Jayalakshmi, who publishes the Sanskrit daily Sudharma, spoke about her efforts to preserve classical and endangered languages such as Sanskrit and Saurashtra, while professor Chandan Gowda explained how the erstwhile Mysore State evolved into a model developmental State in India.

The opening day concluded with the screening of the documentary Cauvery: The River of Life by Sanjay Gubbi.



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Maharaja Trophy | Blasters start off with a tight victory over Mystics https://artifex.news/article71126398-ece/ Sat, 20 Jun 2026 14:56:00 +0000 https://artifex.news/article71126398-ece/ Read More “Maharaja Trophy | Blasters start off with a tight victory over Mystics” »

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Bengaluru Blasters’ Shubhang Hegde in action against Gulbarga Mystics in the DACSS Maharaja Trophy KSCA T20 tournament at Mysuru on Saturday, June 20, 2026.
| Photo Credit: Special Arrangement

Bengaluru Blasters recorded a last-gasp victory over Gulbarga Mystics in the opening match of the DACSS Maharaja Trophy KSCA T20 tournament at Mysuru on Saturday.

Blasters needed 11 runs to win in the final over bowled by Kranthi Kumar, with captain Shubhang Hegde and Praveen Dubey at the crease. Shubhang eased the pressure with a boundary off the second ball. With one needed off the final delivery, Praveen got the job done.

Batting first, Mystics posted a challenging 201 for five with contributions from Prakhar Chaturvedi (64, 38b, 6×4, 4×6) and Aarav Mahesh (63, 41b, 6×4, 3×4).

In reply, Blasters started confidently with Bhuvan Raju (56, 29b, 3×4, 4×6) and Rohan Patil (31, 24b, 3×4, 2×6) adding 88 runs for the opening partnership in 7.1 overs.

Mystics bounced back with a couple of quick wickets to reduce the Blasters to 122 for three in 11.3 overs.

K.L. Shrijith (22, 15b, 3×4), Shubhang and Praveen then took over to ensure a Blasters’ victory.

The scores: Gulbarga Mystics 201/5 in 20 overs (Prakhar Chaturvedi 64, Aarav Mahesh 63) lost to Bengaluru Blasters 202/4 in 20 overs (Bhuvan Raju 56).



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Activists question railway tree felling near Kukkarahalli Lake https://artifex.news/article71117925-ecerand29/ Thu, 18 Jun 2026 14:22:00 +0000 https://artifex.news/article71117925-ecerand29/ Read More “Activists question railway tree felling near Kukkarahalli Lake” »

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Members of Parisarakkagi Naavu inspecting the trees felled next to the railway track near Kukkarahalli Lake in Mysuru on Wednesday.
| Photo Credit: M.A. Sriram

A day after staging a protest against the felling of trees near Kukkarahalli Lake, members of Parisarakkagi Naavu, an environmental organisation, met Divisional Railway Manager (DRM) Mudit Mittal on Thursday and sought details and justification for the removal of trees along the railway tracks adjacent to the lake.

In a representation submitted to the DRM, the organisation said its members had visited the site and found that several mature trees had been cut. The loss of tree cover in the green corridor was a matter of public concern, it said, particularly in the context of climate change and increasing urban heat stress.

While acknowledging the importance of railway safety and uninterrupted train operations, the organisation maintained that vegetation management should be undertaken transparently, based on scientific assessment, and only to the extent necessary.

The group sought copies of all orders, approvals, inspection reports, risk assessments and other records that authorised the tree felling. It also requested details of the officials who inspected the site and recommended the removal of the trees, the technical criteria used to justify felling instead of pruning, and information on permissions obtained from the Forest Department or other competent authorities.

The organisation also sought species-wise details of the trees removed, including their approximate age and girth, as well as information on the compensatory afforestation and restoration measures proposed by the Railways administration.

In its representation, the organisation urged the Railways to adopt and publicly communicate a policy under which tree removal is undertaken only when no reasonable alternative exists, and pruning is preferred wherever feasible. It also called for all pruning and tree management operations to be carried out by trained personnel under the supervision of qualified officers, and for healthy trees outside the minimum safety clearance zone to be preserved.

Stating that Mysuru residents have long valued the tree cover around Kukkarahalli Lake and its surroundings, the organisation said railway safety and environmental conservation could be achieved simultaneously through careful planning, professional supervision, and adherence to best practices in tree management. It urged the office of the DRM, Mysuru, to place all relevant records in the public domain and review the actions taken.



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