Tamil director Bharathiraja’s masterpiece movie ‘Mudhal Mariyathai’: a Russian connection and initial misgivings

admin — Wed, 10 Jun 2026 07:06:00 +0000

Actors Sivaji Ganesan and Radha in the Tamil film ‘Mudhal Mariyathai’
| Photo Credit: The Hindu Archives

One of diretor Bharathiraja’s masterpieces,Mudhal Mariyathai, which portrayed the love between an ageing hero and a young woman, had its genesis in the love story of Russian writer Fyodor Dostoevsky and Anna Snitkina, who was 25 years younger than him. Thespian Sivaji Ganesan and Radha played the lead roles in the film adaptation of the story. The song Vettiveru Vaasam Vedalapullai Nesam, composed by Ilaiyaraaja, encapsulated the story in a nutshell.

Also Read: Bharathiraja passes away, tributes pour in

R. Selvaraj, Tamil film story writer and a close associate of Bharathiraja, recalls: “Initially, everyone was quick to write off the film as a flop. Producer and writer Panchu Arunachalam said the horse would lose the race. Music director Ilaiyaraaja also had reservations about the film’s success. But the movie proved everyone wrong and became a major hit,” said Selvaraj.

Ilaiyaraaja himself later recalled his initial misgivings about the project. Yet, all the songs — Andha Nilavathaan Naan Kaiyila Pudichen, Vettiveru Vaasam Vedalapullai Nesam and Poongaatru Thirumbuma En Paattai Virumbuma — remain among the finest compositions in Tamil cinema.

Mr. Selvaraj, who shared a 63-year friendship with Bharathiraja and wrote stories for films such as Kizhakke Pogum Rail, Puthiya Vaarpugal, Kadalora Kavithaigal and Mudhal Mariyathai, said their relationship began as a pen friendship.

“He had read my short story Inaikodugal, published in Maalai Murasu, and wrote me a letter. My association with the Communist movement — I am the nephew of N. Sankaraiah— and our friendship with Ilaiyaraaja and his brothers further strengthened my bond with Bharathiraja,” he said. It was Selvaraj’s idea to include the scene in which Radha receives a strand of Sivaji Ganesan’s silver hair as a memento.

Movie release after feedback from women

When many people had given up on Mudhal Mariyathai, Bharathiraja organised a special screening exclusively for women. “He handed each of them a sheet of paper and asked them to write their opinion. More than 40 women described it as a fantastic film. It was then that Bharathiraja decided to go ahead with the release,” recalled Mr. Selvaraj.

An elated Bharathiraja later took Selvaraj to the Taj Hotel for lunch and a couple of drinks.

“When he was about to settle the bill, he was told it had already been paid. Distributor Athadi Selvaraj, who had paid the amount, told him that he wanted to acquire the distribution rights for the film in all of Coimbatore. The success story of the film began there,” he said.

Bharathiraja’s love for literature

Selvaraj said Bharathiraja had a deep appreciation for literature, the poetry of Rabindranath Tagore and powerful dialogue. “When I wrote the line, ‘Unga kaala pidichalum pidippene thavira kaiya pidikka matten,’ (I may even touch your feet, but not your hand) delivered by actor Ranjani in Kadalora Kavithaigal, he simply embraced me,” he recalled.

Some time ago, Bharathiraja visited Selvaraj at his residence. “Before leaving, he paused for a moment and asked, ‘Who will die first — you or me?’ He is now no longer with us,” said Selvaraj.

Published – June 10, 2026 12:36 pm IST

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Bharathiraja, ace film director, passes away

admin — Wed, 10 Jun 2026 03:04:00 +0000

Renowned Tamil film director Bharathiraja passed away in Chennai on Wednesday (June 10, 2026). The ace director who had been ailing for a while, was 84.

Celebrated for shifting Tamil cinema from studio-bound film-making to authentic rural landscapes, and for his iconic opening line, “Yen Iniya Tamil Makkale,” delivered in his distinctive voice, he was a transformative force in not just Tamil but Indian cinema.

A towering personality in the film industry, fondly known as Iyakkunar Imayam (Pinnacle among Directors), Bharathiraja won six National Film Awards, four Filmfare Awards (South), six Tamil Nadu State Film Awards and a Nandi Award. More significantly, he was instrumental in introducing several new actors in Tamil cinema. In a characteristic move, he rechristened many actors with names beginning with the letter “R”, gifting the industry with talented artistes including Radikaa, Revathi, Radha, Ranjitha and Rekha. The actors who went on to become prominent figures in the Tamil industry include Karthik, Pandian, Chandrasekar, Napoleon and Janakaraj.

Bharathiraja shared a close association with composer Ilaiyaraaja and his brother Gangai Amaran even before they had made their mark in the film world. While serving as a health inspector and participating in measles prevention campaigns, he developed a close friendship with Ilaiyaraaja and his brothers. Together, they had produced stage dramas. Hailing from the present day Theni district, in south Tamil Nadu, Bharathiraja lived with the brothers in Chennai, all of them taking up odd jobs during their early years. He enlisted in the Army, but eventually convinced the authorities to release him from service. Ilaiyaraaja went on to compose music for many of Bharathiraja’s films, delivering a string of unforgettable hits before the two eventually parted ways. Bharathiraja later introduced music director Devendran in Vedam Puthithu, whose songs and background score bore distinct traces of Ilaiyaraaja’s influence. For his Kizhakku Seemaiyile, the music was composed by A. R. Rahman.

Bharathiraja also mobilised the film fraternity under the banner of the Tamilar Kalai Ilakkiya Panpadu Maiyam (Tamil Culture and Literature Forum) to demand the immediate constitution of the Cauvery Management Board (CMB). In 2018 this also led to protests in Chennai during an IPL match, which led to several film personalities being detained by the police.

Bharathiraja’s legacy through his films

His debut film, 16 Vayathinile, starring Sridevi, Kamal Haasan and Rajinikanth, broke new ground in Tamil cinema. The film portrayed rural life with striking realism, capturing villagers in all their complexity—in flesh and blood, a rustic innocence and the persistent undercurrent of villainy. The characters Mayilu, Chappani, and Parattai remain unforgettable even decades after the film’s release. The music, composed by Ilaiyaraaja, was a runaway success, with every song gaining immense popularity. “Senthoora Poove”, written by Gangai Amaran, earned a National Award for singer S. Janaki.

His second film, Kizhakke Pogum Rail, dealt with powerful social themes and succeeded in portraying caste oppression and the secondary treatment meted out to women, without overtly proclaiming itself to be a ‘social film’. This subtle yet compelling approach to storytelling became a defining feature of Bharathiraja’s cinema. Radikaa was introduced as a heroine in this film.

Sigappu Rojakkal was Bharathiraja’s exploration out of his familiar rural locales. The movie explored what was then an unthinkable theme—a psychopathic serial killer driven by extreme misogyny. This film was also equally celebrated for its music composed by Ilaiyaraaja. The songs “Intha Minminikku Kannil Oru Minnal Vanthadhu” and “Ninaivo Oru Paravai”, sung by Kamal Haasan and S. Janaki, continue to remain popular even decades later. Director Bakkiyaraj, an associate of Bharathiraja, appeared in one scene, while director Manivannan was also among his associates who later emerged as a prominent film-maker and actor.

In Nizhalgal, he introduced actor Ravi, who later became widely known as ‘Nizhalgal’ Ravi, and also marked the debut of Vairamuthu as a lyricist. “Ithu Oru Pon Maalai Pozhuthu” remained a chart-topping song for over a year on Ceylon Radio, while “Poongathave Thaazh Thiravaai” became another enduring hit. Actor Pandian entered the film world through his Mann Vaasanai.

With films such as Tik Tik Tik, Niram Maaratha Pookal, Nizhalgal and Sigappu Rojakkal, Bharathiraja demonstrated remarkable versatility, venturing beyond rural drama while retaining his distinctive narrative.

Vedam Puthithu dealt with the deeply -entrenched caste structure of Tamil society and the hegemony of Brahmins, even featuring a scene depicting the visit of the Sankaracharya to a village. The love affair between a boy from an intermediate caste and a Brahmin girl formed the core of the narrative. In many ways, it echoed the sentiments of his blockbuster Alaigal Oivathillai, which explored a love affair between a Brahmin boy and a Christian girl. The film introduced Karthik and Radha.

Muthal Mariyathai offered thespian Sivaji Ganesan a role marked by immense screen presence with restrained theatrics. Sivaji embraced the opportunity and infused a new dimension into his acting. Ilaiyaraaja’s music for the film stands as a treatise on folk-inspired melodies.

En Uyir Thozhan was a sharp indictment of Tamil Nadu politics, portraying how a party cadre becomes carried away by the eloquence, rhetoric and sophistry of his leader. Bharathiraja introduced Babu as the hero in the film; the actor later suffered a severe accident, was confined to bed, and passed away prematurely. The heroine of the film, Rama, was a woman volleyball player, whom Bharathiraja introduced to cinema through this role.

Kadalora Kavithaigal is yet another subtle yet profound love story, portraying the relationship between a rough fisherman Chinnappadas, played by Sathyaraj, and a classy schoolteacher Jennifer, played by Rekha. Bharathiraja also acted in some of his movies. He was the hero in Kallukkul Eeram and donned different roles in other films, including stellar performances in recent years, in movies such as Thiruchitrambalam, with Dhanush and Nitya Menen.

Bharathiraja also introduced his son Manoj in Taj Mahal; Manoj tragically predeceased him. He is survived by his wife and daughter Janani.